an allegorical animation about development, nationalism, competition...
Interdisciplinary and Time based Media Art research and exchange space. A blog for Master of Fine Art MCMA Graduate students at Southern Illinois University Carbondale
Wednesday, September 30, 2009
Tuesday, September 8, 2009
13 ways of looking at a blackbird
"If perceptions truly had no content whatsoever
they would be blank moments in consciousness and would leave no trace in memory. At one
level, formal configurations function as ontological propositions. Merely by shaping energy one
models the real; every grasping or shaping is a rhetorical persuasion for a view of reality." (from #11, Formal Perceptions)
they would be blank moments in consciousness and would leave no trace in memory. At one
level, formal configurations function as ontological propositions. Merely by shaping energy one
models the real; every grasping or shaping is a rhetorical persuasion for a view of reality." (from #11, Formal Perceptions)
Thursday, September 3, 2009
Sir Francis Galton
Composite "jewish type" circa 1880s.
Physiognomy and Phrenology- composited portraits.
Dalton was a cousin of Darwin and a mathematician, statistician and anthropologist. Developed way to classify fingerprints, terms "nature v. nurture" and "eugenics" he was interested in the question of what was inheritable.
Physiognomy and Phrenology- composited portraits.
Dalton was a cousin of Darwin and a mathematician, statistician and anthropologist. Developed way to classify fingerprints, terms "nature v. nurture" and "eugenics" he was interested in the question of what was inheritable.
Labels:
painting,
research_based_art,
surveillance,
variation
The Photographic INdex
Photography used for the identification, tracking, Bertillon: Filing systems
http://www.nlm.nih.gov/visibleproofs/media/detailed/ii_c_304.jpg
http://students.washington.edu/karamck/images/sekula/sekula_1.jpg
A SHORT VISUAL HISTORY OF THE USE OF PHOTOGRAPHY FOR IDENTIFICATION AND CLASSIFICATION PURPOSES
VISIBLE FORENSICS
http://www.nlm.nih.gov/visibleproofs/media/detailed/ii_c_304.jpg
http://students.washington.edu/karamck/images/sekula/sekula_1.jpg
A SHORT VISUAL HISTORY OF THE USE OF PHOTOGRAPHY FOR IDENTIFICATION AND CLASSIFICATION PURPOSES
VISIBLE FORENSICS
Labels:
evidence,
forensics,
photography,
surveillance
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